Unos tracks

Anamanaguchi-manía

Acá el disco [DawnMetropolis]   Mermaid <3
**Acá +

Un trailer + videogame

Scott Pilgrim (La película! ^^ )

Finalmente el trailer oficial de la peli adaptada del cómic canadiense Scott Pilgrim vs. The World de Brian Lee O'Malley!!!!!!!! =D

Yai! En estreno el 13 de agosto del 2010 ^^ 

y por último, pero con igual importancia, en exclusiva desde el mundo digital ya se rumorea el lanzamiento conjunto con la peli del videojuego de Scott Pilgrim, desarrollado por Ubisoft (con el visto bueno de Brian Lee O'Malley) y con el soundtrack de Anamanaguchi <3 

Acá una imagen del videojuego:                       

 Para download el cómic checka la otra entrada de Scott Pilgrim en este blog ó seek for yourself =)

Un proyecto

Super Mario Bros en una 8x8 LED matrix 
por Chloe Fan

[copypaste] -  This is a game project for S10-05833 - Gadgets, Sensors, and Activity Recognition in HCI taught by Scott Hudson at Carnegie Mellon University. I created a simple version of Super Mario Bros using an 8x8 LED matrix (one color), an Arduino Nano, two buttons for the input (forward and jump), and a piezo sensor hooked to a separate Arduino for the theme song.




Credits:
Scrolling code: Oomlout 8x8 Scrolling Message (oomlout.com/8X8M/8X8M-Guide.pdf)
Level maps: Super Pixel Bros (bit.ly/superpixbros) (transcribed by hand into bytes -- solid areas are 1's and empty areas are 0's)
Sheet music: mariopiano.com/mario-sheet-music-overworld-main-theme.html (transcribed notes are used with piezo code: arduino.cc/en/Tutorial/Tone) 

[copypaste-end]

Una rana

Hypnotoad! 

All glory to the hypnotoad  =)

---------------------------------------------------------------------

HSS3 Hypnotoad

 

All glory to the hypnotoad ! =D

Una leyenda urbana

Polybius

un juego arcade de 1981.

Mucho se ha dicho sobre éste juego. Yo sólo lo jugué como una hora. Quizás ahora en un rato vaya por más. Sin embargo, no es el juego arcade original, es una versión del juego que quizás en algún momento existió.

Puedes presionar "0(cero)" para entrar al menú y en "higher functions" introduces el código(35 34 31 54 12 24 45 43) que te permite activar características del juego que están off por default.

Un hombre lobo

Fresh Blood
por Eels

Un hecho a mano

The head

Psicodelia por Matias Vigliano y Dante Zaballa.

Una shadow&a(+)

Someone Great
de LCD soundsystem |Sound of silver| (2007)
dirigido por Doug Aitken



Otro vid del mismo direc. (this time directly from utube) je.

Sleepwalkers

Un comentario

2046

"Suo you de ji yi dou shi chao shi de... // all memories are traces of tears"

Leído en un comentario dejado en un video de utube en una canción del OST de la peli 2046 de wkw.

Una incoherencia

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█ ▌ ▐
askd][[*¨¨¨"¨"!!"■ □ ▪¨"Ю*¨¨*¨*¨[]_:_:&_:%_$:%&_v█ ▌ ▐ $%&#"$_!"#^^~Ø Ø Ø ^@@\^}``~¡ Ґџ Ґ?´ñ{ÑÑñ╘ ╙ññl22345°Ĭ ĭ Į į!°°°°||┐ └ ┘ ├ ┤ ┐ └ ┘ ├ ┤ ||||||||||!"Й!["[[][]*¨][Ññll █ ▌ ▐ █ ▌ ▐ █ ▌ ▐ █ ▌ ▐ ╘ ╙

Una pregunta

What's it gonna take?
de Karen Chu.

Del concurso20x2 [una pregunta en 2min].

Un cover

Big Ideas (don't get any) 

por James Houston [+]




Visto en la galería online del pixxelpoint festival2009 (Once upon a time in the west) --- 2much!
::::::::::  la belleza de los artefactos <3

The performers were :

Mss. Sinclair ZX Spectrum - Guitars (rhythm & lead)
Mr. Epson LX-81 Dot Matrix Printer - Drums
The HP Scanjet 3c - Bass Guitar                  and last but not least !
Los Hard Drive array - Act as a collection of bad speakers - Vocals & FX

Un Manifesto

The Glitch Theory

::: {COPYPASTE del manifesto} :::
                ↓↓↓↓↓↓↓↓↓↓↓

Glitch Studies Manifesto
[short, first version]. Longer parts can be found here.

1. The dominant, continuing search for a noiseless channel has been, and will always be no more than a regrettable, ill-fated dogma.
Even though the constant search for complete transparency brings new, ‘better’ media, every one of these new and improved techniques will always have their own fingerprints of imperfection.

2. Dispute the operating templates of creative practice by fighting genres and expectations!
We are all stuck in the membranes of knowledge, governed by social conventions and acceptances. As an artist I strive to reposition these membranes; I do not feel locked into one medium or between contradictions like real vs. virtual or digital vs. analog. Fight the techno religion! Surf (tube- ride) the vortex of technology, the art of artifacts.

3. Get away from the established action scripts and join the avant-garde of the unknown. Become a nomad of noise artifacts!
There are three occasions when the static, linear notion of transmitting information can be interrupted. These instances often result into noise artifacts, sub-divisible as glitch, encoding / decoding (compression) and feedback artifacts.

4. Use the glitch as an exoskeleton of progress. Find catharsis in disintegration, ruptures and fractures.
Manipulate, crack and break different actors: bend them towards the point where they become something new.

5. The gospel of glitch art sings about new models implemented by corruption.
The popularization and cultivation of the avant-garde of mishaps appears to be predestined and unavoidable. Glitches have often shown to be the early development of a next fashion, or the creation of a new archetype. These new, enchanting forms seem to be inevitably connected to the creation of new filters. Moreover, in contemporary culture, we are so used to data fraud that the ‘right way of using' does not exist anymore; instead, misuse and abuse have become new commonalities.

6. The ambiguous contingency of the glitch technotext depends on its constantly mutating materiality.
The materiality of the glitch art is not (just) the machine the work appears on. The glitch exists as an unstable assemblage in which on the one hand the construction, operation and content of the apparatus (the medium) and on the other hand the work, the writer, and the interpretation by the reader and/or user (the meaning) influence its materiality.

7. Glitch artifacts are critical trans-media aesthetics.
They are not only used to show any kind of medium in a state of hypertrophy, but also to criticize the inherent politics. I bring any medium in a critical state and while criticizing it!

The role of artifacts in critical trans media aesthetics is two fold:
* They show a medium in a critical state (ruined, unwanted, not recognized, accidental and horrendous state)
* They critique the medium (genre, interface and expectations)
Accidents transform the way we see the normal. Every accident transforms the normal
Political: they challenge the established template of creative practice and the production of theory and reflection.

8. Translate acousmatic noise and soundscapes into acousmatic video and videoscapes to create conceptual synesthesia.
The obfuscated box of technology is the new veil that shrouds the source of the output.
When artifacts from both the aural and the visual realm are used as criticial media aesthetics, they form the opportunity to create a conceptually synesthetic artwork. An artwork where synesthesia is not just a metaphor for transcoding one medium upon another, but a conceptually driven meeting of the visual and the sonic (or maybe even other senses).

9. Speak the totalitarian language of disintegration
Glitchspeak is a vocabulary of unknown rhetorics. It is not just a new, unknown form, but also an exoskeleton of progress: a new generativity.

10. Study what is outside of knowledge and teach Glitch studies! Theory is just what you can get away with!
Just like Foucault stated that there can be no reason without madness, Virilio described that there is no technological progression without the inherent accident and Gombrich describes noise in terms of breaks from patterns, we cannot understand flow without its interruption, noise without order, transparency without artifacts or glitch without a presumed function. This is why there is a need for Glitch Studies.
Glitch theory is just what you can get away with!

Compress Process (2) por R. Menkman

Vía Rosa Menkman's Blog    <3

Un video(#_)

Fantasy

El romance entre Goto80 y Raquel Meyers siempre kickin' ass  (en éste caso entre una chica y su computa') <3

Un Poema

Poem of the Massses

"Come one come all and contribute your wit! Your tongue needn't be sharp, to add a line to it. Rattle your noggin and summon your grit, grind out some words and see if they fit".

 Intenta finalizar éste juego.